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Madhubani Painting
Madhubani Painting
Madhubani painting also known as Mithila painting is practiced in the Mithila state of Nepal and in the Bihar state of India. Painting is done with fingers, twigs, brushes, nib-pens, and matchsticks, using natural dyes and pigments, and is characterized by eye-catching geometrical patterns. There is ritual content for particular occasions, such as birth or marriage, and festivals, such as Holi. The original inspiration for Madhubani art emerged from women’s craving for religiousness and an intense desire to be one with God. With the belief that painting something divine would achieve that desire, women began to paint pictures of gods and goddesses with an interpretation so divine that captured the hearts of many.
Madhubani, which by one account means Forest of Honey, (‘Madhu’-honey, ‘Ban’-forest or woods) is a region in Mithila region of Nepal and the northern part of Bihar. A region that has a distinct regional identity and language that reportedly spans 2500 years.
Origins
Madhubani painting/Mithila painting was traditionally created by the women of the Brahman, dusadhand Kayasthacommunities in Mithila region in Nepal and India. It was originated in Madhubani village of Capital city of Ancient Mithila known as Janakpur. This painting as a form of wall art was practiced widely throughout the region; the more recent development of painting on paper and canvas originated among the villages around Madhubani, and it is these latter developments that may correctly be referred to as Madhubani art.
The painting was traditionally done on freshly plastered mud walls and floors of huts, but now they are also done on cloth, handmade paper and canvas. Madhubani paintings are made from the paste of powdered rice. Madhubani painting has remained confined to a compact geographical area and the skills have been passed on through centuries, the content and the style have largely remained the same. And that is the reason for Madhubani painting being accorded the coveted GI status. Madhubani paintings also use two dimensional imagery, and the colors used are derived from plants.
Styles
Madhubani art has five distinctive styles, namely, Bharni, Katchni, Tantrik, godna and gobar. In the 1960s Bharni, Kachni and Tantrik style were mainly done by Brahman and Kayastha women who are upper caste women in India and Nepal. Their themes were mainly religious and they depicted Gods and Goddesses, flora and fauna in their paintings. People of lower castes includes aspects of their daily life and symbols, story of Raja Shailesh[ guard of village] and much more, in their paintings. But nowadays Madhubani art has become a globalised art form so there is no difference in the work of artists of the region on the basis of caste system . They are working in all five style. Madhubani art received international and national attention.
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